“I Walked” is yes, your typical ‘love hurts’ kind of heartbreak song. He’s singing about walking because he has no other choice and mostly because she’s decided to walk, what else is he to do. I’m always amazed that musicians who make beautiful music could possibly be singing about some of the same things I’ve lived before; it seems suddenly surreal. When he sings, “I am sorry the worst has arrived. For I'm on the floor…in the room where we made it that last touch of the night,” you can envision him lying on the floor after he’s probably called her and begged her to come back. It’s incredibly depressing but the music is just so soothing, as if everything is going to be OK, even when it seems so hopeless: “I should not be so lost, but I've got nothing left to love.”
The title track is probably one of the most ambitious songs on the album and even that sounds unfair because most of everything that Stevens does is ambitious in some kind of form. This is an epic, orchestral, twisting and ever-evolving song that delves into huge, soaring highs. I love how everyone sings that “this is the age of adz…eternal living!” before going into wild horn lines and belting choral passages. I also think that this song is where Stevens’ shows off his newly confident and inspired singing voice. Personally, I love the words, especially the last line when he asks to be forgiving for having selfish thoughts, “It’s only that I still love you deeply, it’s all the love I got.” Mostly, “For what you see is not fantasy. It's not what it gets, but gives,” what a great message to rally behind, even when everything seems so coldly unsure. – Bryan
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